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Codex Audentia

Codex: An ancient manuscript text in book form.
Audentia: Latin for “audacity”.

This is my codex — a working notebook with my notes, experiments, and rambles in their full glory. It is raw, unpolished and unfiltered.

This is not a blog.

You can subscribe to these posts here.

I’m building a 1,000 year company, and writing about the process.

Hikikomori Sprint (HKS) #2: Deep Work, Finishing DenseWiki

By DenseLayers, Rambles No Comments

The first time I locked myself at my coworking space to finish DenseWiki, it was a struggle, but I managed to do what I set out to do: produce a finished version of DenseWiki’s browser extension.

But it turns out that although it worked well as a beta product, it still lacks the finesse I want from it.

Let’s craft an incredibly magical digital experience for the end user, that eventually becomes second nature.


Cal Newport’s Deep Work

First, let’s work on some practical tips he suggested in his book (no point reading if you don’t use it). I will create checklists for the following four questions:

  1. Decide on a wildly important goal
  2. Act on the lead measures
  3. Keep a compelling scoreboard
  4. Maintain a cadence of accountability
  5. Decide where you’ll do deep work and for how long
  6. How you’ll work once you start to work (checklist)
  7. How you’ll support your work

Wildly Important Goal (WIG)

Take DenseWiki to 100,000 scholars by the end of 2025. Doing 100,000 lookups per day.

Evoking so much gratitude and dependency and excitement that they can’t pay us quickly enough.

In fact, the goal is to have a product so good that I get to 1 MILLION scholars by the end of this year. So the product, the marketing, AND the branding should all be so undeniably good that there is a clear shot to that path.

Lead Measures

In order to achieve this result for ME, the product has to deliver a knockout experience for SCHOLARS.

To ensure that, there are two major tracks where activities must be directed:

  1. Improving the product and its onboarding
  2. Pushing the product to its limits (understanding difficult papers)

A single lead measure would be to increase the number of deep hours per day (rounded).

If in a given hour of deep work, I end up making a big step (product deployment or finish a paper), then I will add a cross etc within that circle of deep work.

Compelling Scoreboard

A bad score board is:

  1. Not easily visible all the time
  2. Not up to date
  3. Hard to update
  4. Confusing
  5. Doesn’t motivate / the score never moves or keeps moving meaninglessly
  6. Shows only lead measures, but no lag measures

So, my scoreboard:

  1. Made from paper, and connected to my laptop (whenever I sit to work, it shall be right in front of me). I’ll use my WEEKLY PLANNER sheet for this.
  2. Easy to add a circle for every new hour of deep work, using a marker / sketch pen. For a half day, it could be a circle that’s filled in.
  3. At the end of a day, I’ll stretch a line under the circles of that day. Then do it again next day.
  4. At the end of a week, I can count how many deep hours I got that week, and at the end of a month, how many hours that MONTH!
  5. The goal should be easy to see, because I can visually estimate how many circles there are in a day or a week! And it should be highly motivating to watch the circles multiply over time, along with the count numbers for each week.
  6. At the top of the scoreboard, add a simple X for every 100 people who join the platform. After X becomes too simple, I can switch to a differently colored X, but keep adding them!

A cadence of accountability

Here’s what a BAD cadence of accountability would be:

  1. Irregular
  2. Unstructured
  3. Doesn’t result in any action items
  4. Doesn’t include both lead and lag measures

So here’s what mine would be:

  1. End of every day (quick tally)
    • Structure: count number of deep work hours, compare with recent days. Also count if there’s a bump in the X’s, and add that at the end.
    • Action items: what could I do to nudge it up a little?
  2. End of every week (sunday report)
    • Structure: tally hours and compare the whole week’s row; update scoreboard
    • Think about what I could do to bring the numbers up

Where and How Long

Let’s start with inversion: where I will avoid working.

  1. Will NOT work in a moving vehicle
  2. Will NOT work in my bedroom
  3. Will NOT work in the common area downstairs
  4. Will NOT work anywhere I might see beautiful women by lifting my head

This means I won’t do deep work at home, and wherever I will sit down to work, I will face away from other people as much as possible.

How I’ll support my work

Let’s invert: what gets in the way of my work?

  • Food / hunger / thirst
  • “Oh I was supposed to do that” (open loops)
  • Phone calls / messages
  • Anxiety
  • Google searches about something random that came to my head
  • Rabbit hole from a Google search

  • Meals pre-decided, prepared ahead of time as much as possible.
  • Water prepared.
  • Workout schedule pre-decided. No guesswork.
  • Decision: No other commitments can come in between.
    SAY NO to anyone asking me for my time or energy.
  • Schedule for open loop tasks that are gnawing at me.
  • Starting ritual pre-decided, made into a checklist.
  • Choice of music pre-decided, set up on YouTube (brain.fm)
  • Any google search ideas that come up, I’ll put them in a sticky note

How I’ll start deep work

What’s a bad way to start?

  1. Tabs that do NOT relate to deep work are open
  2. Distracting things on my phone that I haven’t resolved (messages not replied to, etc)
  3. Phone is not on silent
  4. Need to decide what I’m doing or not doing
  5. Have clear lead measures I’ll push in that session

Checklist:

  1. Close ALL tabs except:
    1. Replit
    2. DenseWiki
    3. Whatever paper I’m reading
    4. Gemini / ChatGPT (either a clean new chat, or one that’s related to programming)
  2. Phone on silent
  3. Check any meetings on the horizon, set alarm
  4. When is my next meal? Write down time, set alarm.
  5. When is my next workout? Write down time, set alarm.
  6. Pray (for achieving my WIG, and many WIGs after that)
  7. Get programming!

The Sprint

https://workflowy.com/#/2011200eba82

Function (cheese) first, form (design) second

  1. Smooth onboarding and usage (reduce steps as much as possible)
    • Visit website (densewiki.com) and download extension.
    • One click login / easy signup
    • History of concepts looked up / seen
    • Button to add explanation from concept page
  2. Gamification
    • Enable instant badges for dopamine (on a given day, if you do X+ lookups, you get a “hardcore” badge)
    • Calendar view where you can see which days you got which badge (or none)
  3. Beautiful stats
    • Concept visualization (how your knowledge is growing)
    • Share profile (public view)
    • Share concept (public view)

Let’s roll!

Life as “The Writing Founder” (Ongoing Reflection)

By Reflections No Comments

I started The Writing Founder Project on Tuesday, May 13, 2025. This post will continually track what happens afterwards.

5 Days Later (Monday, May 19)

Here’s what I’ve learned in the last few days since I switched to the CWCs approach:

  1. I’ve noticed feeling more “connected” to my work and more intensely focused
  2. I’ve spent way more hours working than I was otherwise able to
  3. After I’m done with my CWCs for the day, I feel a sense of freedom during the rest of the day to do whatever I enjoy.
  4. I had forgotten what I enjoy doing outside of work.

8 Days Later (Wednesday, May 21)

There has been a steady increase in my work output, not just for writing, but also for programming.

The same, however, could not be said about other activities like eating, working out, and chores.

Yesterday was the first day in a while that I felt like I had “wasted,” i.e. which had low work output and was fairly distracted, but even THEN I got some useful stuff done.

Today, Sarah, a very close friend of mine (who has body-doubled with me for almost 2.5 years and knows me better than most people), remarked that I suddenly seem “very sorted.”

She means that I no longer seem all over the place with my ADHD, bouncing from one unfinished task or distraction to another.

To be continued…




初めまして。 I’m Aman, a founder based in Tokyo, Japan. We’re building a 1,000 year company.

You can subscribe to these posts here.

The future of long-term hiring: the Nintendo way?

By Rambles No Comments
A sound designer at Nintendo in the late 80s.

It’s no secret to anyone who knows me that I intend for SANPRAM to be like Sony or Nintendo: product and R&D-oriented companies that keep innovating over decades.

Fun fact: Nintendo has released not one, but multiple gaming consoles that each became the best-selling consoles in the world. Famicom / NES, then the Game Boy series (which had an 11 year reign, dethroned eventually by the PlayStation), and then a comeback with the Nintendo DS, the Wii, and recently the Switch. The company has a legacy of outdoing itself again and again.

I want to build a real, lasting company, where generations of people can build their whole careers and eventually be proud to retire from. That seems to go counter to the prevalent approach in the early 21st century startup industry, where every founder is building a “one-time business” that they can “exit” with 7 figures in the bank in as short a time as possible.

I’ve observed that more and more companies are being built around a culture of plugging holes — i.e. the idea that every person on the team is a meatbag you found to do a particular task / fulfil a role that came up.

They’re built on freelance developers from Upwork, and/or remote employees strewn across the world whose loyalty to the company is as feeble as the company’s to them.

The problem with this mindset is that the company stays static.

But for a company that can adapt and evolve with time, its people need to adapt and evolve too. This means you can don’t have exclusively job-based hiring, but rather membership-based hiring — you look for individuals who show the right attributes and are capable of constantly learning and adapting and reinventing themselves, and then have them grow into different roles and tasks throughout their career.

At first thought, it reminds me of the traditional Japanese way, where you would join a company as a fresh new graduate “salaryman” and then be assigned to different departments based on your aptitude during the training phase. It’s also similar to how a lot of IT services firms in India operate.

But the challenge of the membership-based approach is that in a tech-heavy company, most new hires would be too unskilled to produce any results early on! You can’t expect to train someone to be an engineer from scratch while they’re doing nothing on payroll. In a job-based environment, this is not a problem because you already know that the person can deliver results.

So what’s the right approach? As it usually happens, whenever you face a human problem, someone has already found the solution — and in this case, guess what, it is Nintendo. :)

The Nintendo Tweak

Nintendo follows a hybrid approach. They are a hardcore tech company that demands exceptionally high levels of skill (in fact, their business depends on their ability to keep developing proprietary technology), but they’re also Japanese — and their new employee retention rate is a staggering 98.8%. Out of every 100 or so people who join the company, barely one or two decide to leave.

How do they do it? The answer is simple: specialized career tracks.

  • Engineering/technology
  • Design
  • Sound
  • Production planning
  • Sales/administrative

Everyone applying to the company has to pick ONE track that they would like to join, and that’s it.

The cool thing is that you now have enough of a structure that you can find people with a proven level of skills to begin with (i.e. they will be productive from day 1), but also enough flexibility that you can pick people based on way more holistic criteria beyond “can you do this particular job or not?”

This is not a new thing. The company’s biggest “star,” Shigeru Miyamoto (the creator of Donkey Kong, Mario, and Zelda — each of which were massive goldmines) was hired in the same way. As a young kid, he came to Hiroshi Yamauchi with just a portfolio of drawings and endless creative energy — and was put in the architecture / planning division solely based on that. One day, Yamauchi needed a new game for the US market, but found that every game developer was busy with other projects. So he called Miyamoto to his office, took a brief interview, and gave him the job of developing the game. The result was Donkey Kong, which is single-handedly responsible for Nintendo of America’s existence as a company today.


The SANPRAM Way

This ties beautifully to how I too want to do things at SANPRAM:

No titles.

Every person in the company is identified simply by their name and the track they are in:

  1. Makers (engineering / tech / R&D all in one)
  2. Designers (aesthetics and media)
  3. Admin and sales

For now, that’s more or less it.

When hiring “makers,” I’m not just looking for “software engineers,” though it’s very helpful to have that. I’m much more interested in people with a strong attitude and aptitude towards problem-solving, craftsmanship, and invention / innovation. The exact skills we’ll have in the company will always be a melting pot as time goes by. Good makers prepared to pick up new tools and knowledge over the decades.

For a maker, the kid who has been dabbling with programming since 5, but also building remote-controlled submarines and fiddling with game development, is a better fit than the “React developer” who went to a front-end bootcamp and got into the profession because it pays well.

After all, if we just want a React expert, there’s always Upwork for that.


This article is from my codex.



初めまして。 I’m Aman, a founder based in Tokyo, Japan. We’re building a 1,000 year company.

You can subscribe to these posts here.

How to be good at sales as a non-sleazy, nice person

By Rambles No Comments

As an entrepreneur and former “professional” salesperson (it’s weird to say that because as an entrepreneur I’m a pro salesperson by default, but you know what I mean), I’ve forgotten more sales content (books, articles, etc) than most people will ever read in their lifetime. And I’m not proud to say that.

For the longest time, I lived in the sinister hole of believing that I was bad at sales, and that I needed to learn the tips and tricks of the trade to get “better.”

What made it worse is that depending on who you listen to, there are vastly different opinions on what makes a great salesperson. A lot of sales coaching out there honestly makes me want to puke (not because I know more than they do, but because it just feels manipulative and shitty human behaviour).

Like everything, there’s an 80-20 rule. The basics are the most important, and coincidentally if you just practice the basics at a very high level, you will usually outperform everyone else.

So here are the basics of sales that I’ve identified, which I’m happy to practice for the rest of my life.

The basics of sales — what I’d teach my younger self

If you’ve ever highly recommended a product or service to a friend or family member (whether it was a book, a video game, a movie, a doctor or plumber, a restaurant, etc)… then you already have the foundation to be a world-class salesperson.

I kid you not.

The emotional state you’re in when you genuinely recommend something to someone, knowing that it will be beneficial to them, is the single biggest aspect to success in sales that I’ve found.

You recognize that feeling — the confidence, the faith and certainty that it will help the other person, the detachment from the result (you don’t even have to remind yourself that if they reject the recommendation, it’s nothing personal), the adaptation on the spot (if you realize during the conversation that the recommendation isn’t right for them, you either adjust or move on) — all these things happen naturally in that emotional state.

Selling, but without selling – the holy grail.

How do you get into that emotional state about a new product or service?

Let’s invert — how to make sure that you don’t get into that state?

  • You don’t know anything about the product in the first place, where it shines compared to the competition, or who it’s really good for.
  • You don’t know the person you’re even talking to.

So if you don’t know the product, and don’t know the person, you have no chance in hell.

The correction is simple — learn about the product and the prospect until you can tap into that emotional state on command, the way you could do for your favourite gaming mouse or something.

The non-sleazy, honest sales game is inherently a cooperation between yourself and the customer. When you do sales this way, you feel no guilt or awkwardness, because you’re no longer creating an adversarial relationship with the other person.

Try it.


This article is from my codex.

“Customer-Worthy Commits”: A new daily unit of work for solo founders

By Reflections No Comments

In my previous post, I talked about how Stephen King has a daily goal of writing 10 pages (roughly 2,000 words). After that, he stops writing and does other things instead. He honors his limit so that he can stay productive over a long consistent period of time and never get into a slump.

Since being a solo software founder is also a creative profession, I’ve been wondering how to apply that work ethic to programming. What should be a good “daily target” for a solo technical founder?

The answer I’ve come to so far:

1-2 “customer-worthy commits” (CWCs) per day.

A customer-worthy commit is exactly what it sounds like — the kind of code commit that you could proudly tell a customer about.

Meaning that it’s bigger than a small cosmetic change. It has to meaningfully move the needle in terms of how well you are serving your customers.

In fact, I believe that ALL meaningful work in the company (especially as a solo operation) can and should be reframed in a way that it directly benefits the customer. This includes refractoring / maintenance work. If it can’t be justified to your most important trading partners, it shouldn’t be done at all.

Of course, these 1-2 CWCs are just for the creative side of work every day. Other managerial and admin work is secondary. “Make” before you “manage.”


This article is from my codex.

You can subscribe to these posts here.

Applying Stephen King’s Rules to Software Development: Crafting Digital Experiences

By Rambles No Comments
The writing room at Pixar for “Inside Out”

When Stephen King (the writer behind the stories of films many of us love, such as The Shawshank Redemption, The Green Mile, It, etc) finishes a draft of a novel, he is said to put it in a drawer and let it “rest” for a minimum of 6 weeks before he comes back to edit it.

“With six weeks’ worth of recuperation time, you’ll also be able to see any glaring holes in the plot of character development. I’m talking about holes big enough to drive a truck through.”

This gave me flashbacks of a moment I had recently while building our current product (a tool that greatly speeds up reading technical content, while also increasing comprehension). After months developing the tool, when I finally used it to read a paper (Deepmind’s AlphaFold paper in Nature), I too noticed some glaring issues that I hadn’t foreseen. There was a hole in the plot.

This brings me to an important point about my approach to software development: what we’re crafting isn’t tools for someone to use, but rather digital experiences that they participate in.

A digital experience has a story to it (not a “user story,” but rather the overall storyboard of what’s going on), and every interaction has to serve the story.

When seen in this way, our products are no different from novels or movies or video games. They are works of art, and they should be edited and produced in the same way.

Maybe I won’t take six weeks off, but here are some aspects of writing for an audience that I can borrow:

  1. Have one IDEAL READER experience it before you allow others. In case of Stephen King, it’s his wife. (Find someone, even pay someone from your target audience to use the product as you watch.)
  2. Kill your darlings. (If a feature isn’t serving the story, or if you need to add a feature that hurts your pride, do what needs to be done)
  3. Discipline. Stephen King writes 2000 words / 10 pages each day, including holidays and vacations. And he stops once he hits the limit, to leave gas in the tank and keep momentum.

    What would be a good daily target for software development?

    Moreover, what is a good unit for software work in general? (For Stephen King, it is the paragraph).
    • X lines of pseudocode? (Because pseudocode is in your control, and then you can spend the rest of time coding and squashing bugs?)
    • X commits: how many?
    • X hours: Currently trying 3 hours, but it’s… a weird one. Doesn’t seem to reflect real productivity.
    • A new deployment: make at least one change to the live product each day?

Okay — I’ve found a really good answer.


This was the first official post in The Writing Founder project, which I announced publicly… 30 minutes ago.

This article is from my codex.



初めまして。 I’m Aman, a founder based in Tokyo, Japan. We’re building a 1,000 year company.

You can subscribe to these posts here.

The Writing Founder Project

By Rambles No Comments
Stephen King’s writing desk

As a goal-oriented person, for many years, I’ve lived in “goal hell”:

My life had become an endless to-do list that served to achieve the list of goals — business goals, health / fitness goals, intellectual goals, etc (you know how it goes) — that I had set for myself.

Add to that a big dose of insecurity about how far behind I was, and how little time I had left.

Anything “fun” I did felt like adultery, cheating on the to-do list that was my life. In fact, I wasn’t doing anything fun at all.

Worse, adultery is addictive. So the more goal-oriented I was, the more unproductive I became, falling into destructive behaviours like late-night anime-bingeing. (Thankfully I don’t do any physical substances like alcohol or drugs).

I had trouble getting out of bed in the morning to pursue the very goals that were supposed to excite me, and at the end of each day, after failing to complete the to-do list that no sane person could finish in the first place, I reinforced the sense of inadequacy and the numbness of wondering what my life even was anymore.

The reason it happened is very clear to me now:

Most of the work required to achieve any of our goals is tedious and boring. It’s our job to make it fun, because nobody else will do it for us.

I finally had a revelation recently when I saw a popular online creator say that the goal of all his projects is actually to create books. Physical books. All the work he does, funnels into that ultimate format. It is the end product, and everything else he creates or publishes on the side is an ancillory activity.

…the core purpose of this program (and all the work I do — the pop-ups, the videos, everything) is to produce books.

Craig Mod

Interestingly, books aren’t even the thing that makes him the most money — that mostly comes from his content’s paid memberships (something like Patreon that he runs himself).

I was really struck by this, and it’s the right message at the right time.

As a writer myself, I’ve long felt a sense of guilt whenever I spent time doing it — “I could be working and making money instead!”

But writing and sharing what I’ve learned is what brings me the most joy. That’s what most of my writing is about — doing something I found interesting, and then sharing what I learned with others.

What drives me is stories.

I see myself mainly as an explorer or a scientist on this planet, and even entrepreneurship is simply a lifelong experiment in “what ifs” and “wouldn’t that be cool.”

And that brings us to what I call The Writing Founder Project:

WHAT IF the final output of all my activities was to write about the experience?

From now on, my core purpose of building SANPRAM will be to create media.

Here are the formats this content will be in:

1) Written word

I’ve played with all the major written formats: books, long essays, and short posts.

Books (physical books) are the hardest, but also the ultimate form, because ) they are timeless and 2) paper is a wonderful creative medium that allows you to do things that digital never can.

And I just realized that they don’t have to be long. You can write a very short book.

The one drawback is that they cost money to read and take up space for the reader, so it better be something they’ll want to collect. A printed book should either be worth reading again, or be used as a constant reference, or be seen as a travel companion. I’m happy that my first book, Tech Fluent CEO, met these criteria.

Essays and short posts would be the bulk of my writing. I’ve found that consistent high-quality essays are great for building a following.

Here’s the different kinds of posts I’ll be writing as an output:

  1. Sunday Reports — not monthly, because a 7 days is a more tractable unit of time (it’s hard to mentally grasp how long a month really is and be conscious of it). Deadline: every Sunday.
  2. Daily Work Logs — whatever I happens that day. Deadline: every day.
  3. Rambles and reflections — these will be about whatever is on my plate at the moment. The core of my codex.
    • Format: take a company goal, and as you go through the process, document the process in front of the whole world. Simple.
  4. Periodic Tech essays — this is how I got my start in writing. I take a technical topic, and write a deep explainer essay.

The whole workflow should go like this, each step starting and ending with a piece of writing:

  • Ramble: I set a goal for what I need to do at the moment, and a timeline for it.
  • Ramble: I write my plan for how I intend to do it.
  • Rambles and Reflections: I start working the plan, and write about each step.
  • Weekly report: I share the results / progress being made.

2) Video

Video is a great form of documentation, and it has certain advantages over text (being able to SHOW things, and share live emotions)

I’ve decided that video will best be a companion to my writing, as opposed to its own medium. I will use video to enhance the meaning of my written essays, as a communication aid.

It would fit mostly in the rambles and weekly reports category.

For livestreaming, I’ll use StreamYard.

3) Audio

I already host two podcasts, using them mainly as a networking tool for building more relationships with other founders. I intend to keep doing them, but further reduce the effort that goes into production. (Not that I was putting a lot of effort to begin with)


Q. What to share, and what to keep private?

I just had a long conversation with Gemini about this one, because I neither want to be so secretive that nobody gets value, nor to overshare so much that I come across as a clown / it’s boring / I give away strategic secrets.

To figure out where I fall on the spectrum, I looked into the sharing habits of Warren Buffett / Charlie Munger, and for an outlier opinion, Elon Musk.

Here’s the edited consensus, which I also feel comfortable with:

What to share:

⁃   Visions of the future I want to build
⁃   Monumental challenges that apply to the whole industry (“manufacturing is hard”, “full self-driving is hard”, etc) — highlight the difficulty of the process.
⁃   Product announcements (often very early)
⁃   Positive Outcomes: deliveries, good customer feedback, things that are really cool
⁃   Negative Outcomes (after they've been overcome): what happened, how we overcame it, and how our creative process / intellectual method has been changed or reinforced because of it.
⁃   The intellectual process / beliefs and philosophy behind decisions, and insights gained.

What to delay or keep private:

⁃   Core IP / secret sauce / technical details of solutions we develop.
⁃   Fundamental / existential doubts about the viability of whatever I’m doing. (Hey, I'm human, they come up from time to time)
⁃   Real-time suspense of a process that is in motion.
⁃   Anything that affects other people / makes someone lose face / reveals others' secrets.

This article is from my codex.



初めまして。 I’m Aman, a founder based in Tokyo, Japan. We’re building a 1,000 year company.

You can subscribe to these posts here.

The Development Process at SANPRAM Research

By DenseLayers, Reflections No Comments

1. Build features, fix bugs.

2. Test Early, Test Often.

3. Make it pretty.


Build

The product / feature roadmap will always be long and full of ideas.

We need to go in concentric circles.

First, get the right balance of shock and cheese. That is, the product should do its job really really well.

Only then, focus on balancing function with elegance. It shouldn’t just do its job, but also be a delight to use.

Test and Refine

Our own standards for whatever we ship should be higher than anyone else’s.

Whether it’s an external customer or an internal customer.

It has to be un-live-withoutable AND inarguably the best.

Delight

After the product works beautifully and checks all the boxes, make it beautiful, delightful, and memorable.

魅力的品質。


This article is from my codex.

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A new north star metric for engineering: Elegance?

By Reflections No Comments
Source 1

Hey, help me out here.

Is it my imagination or some cognitive bias, that whenever I’m trying to solve a problem, the best solution also always turns out to be the most elegant?

I can’t think of a situation where a messy / “involved” solution to a problem wasn’t hands down inferior to a more elegant, in fact beautiful-looking solution I found later.

And it seems like that for most other problem solving in life, even in human relationships.

Of course, there can be elegant solutions that don’t work at all – but then, they’re not solutions?

So here’s an idea: elegance as an engineering metric.

  1. Source: Ishikawa crafts https://www.ishikawatravel.jp/en/stories/traditional-crafts/ ↩︎

This article is from my codex.

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There’s no lucky punch

By Reflections No Comments

Haijme no Ippo is one of my favourite anime (and TV shows) of all time, and it’s a boxing anime.

One of the main characters, Ichiro Miyata, is the son of a world-class boxer whose career ended suddenly one day, during a fight that he was supposedly dominating.

Ichiro says that his father’s opponent, who was physically stronger but technically much inferior, just landed a lucky punch out of nowhere.

But the Miyata Sr. countered back:

In boxing, there is no such thing as a lucky punch.

Any real punch has some force behind it, which means that the person who threw it was still in the fight.

That person had not given up on winning yet.

A weak ass punch from a fighter who has already “quit” could never knock out a world class boxer.

I think this is one of the most life-changing dialogues I’ve ever seen in any work of fiction.

How much of success in life depends on simply staying in the fight? Whether it’s business, or sport, or relationships / marriage, or anything like that?

How many people have made breakthroughs by simply sticking it out and doing the work beyond the point that most people consider a “lost cause” — and then being told someday that they got lucky?

I challenged myself to get a black belt in Judo in 12 months, training at the Kodokan in Tokyo.

For people new to Judo and struggling

By Martial Arts No Comments

Hey everyone, if you happen to face any of the following problems:

  • Not able to apply your techniques in randori successfully
  • There’s too much to learn all at once, feels like drinking from a firehose
  • Don’t have a real “strategy” for randori, not sure what you’re even doing or looking for (you end up simply following your instincts)
  • Judo feels less fun and/or more frustrating

Then I have a few practical suggestions for you, which have helped me while training at the Kodokan.

Focus 1: Kuzushi

Decide that for the next 6 months, your primary goal every day is to improve your grasp of KUZUSHI — the “off balance.” It is the fundamental essence of Judo, and the basic pre-condition for a good throw. Yet many people overlook it / try to power through throws.

Simply getting better at kuzushi will improve your Judo (and your ENJOYMENT from it) by magnitudes.

In my view, there are two overarching ways to achieve kuzushi — stationery (shifting a person’s weight away from their center of gravity in a particular direction) and moving (using the person’s momentum against them by accelerating it in such a way that they lose control).

Within these, there’s a whole universe of techniques that gives rise to different styles of Judo. Even here at the Kodokan, for any given throw (eg: the ouchi gari), some senseis prefer to use momentum, some like to pull the opponent’s whole body in one direction, some try to simply move the opponent’s head, all different ways to achieve kuzushi.

Everyday, no matter what you are learning in class (eg: when the sensei demonstrates a technique), focus your attention primarily on how kuzushi works. Ask questions about it. Then while drilling the technique, slow down and simply try to master the kuzushi of it. This deep study will have a HUGE, permanent payoff in your Judo journey.

Focus 2: One throw at a time

This might not be applicable depending on how your dojo does things, but in order to practice kuzushi, it’s helpful to have a particular throw that you want to drill for the entire month.

For example, for me, January and February 2025 are dedicated to studying the Tai-Otoshi. In class I learn whatever the sensei is teaching, but whenever he gives us time to drill our favourite moves, I only drill the Tai-Otoshi and study how its kuzushi works. By constantly making adjustments and trying it against different body types, my grasp of the throw (and in turn, of kuzushi) got better in the last 30 days than in 2+ years of Judo before — and I was able to do a clean, effortless Tai in randori against a guy who is physically much stronger than me, which I could never do before.

Focus 3: Randori strategy

The best Judoka have been practicing for so long that for them, a technique (such as Uchi Mata) is simply a tool that they can deploy at any opportune time. They don’t have to think about it. So for them, randori is more about creating or finding good opportunities to deploy their tools, and less about learning how to use the individual tools.

As for you and me, we’re still learning how to use our tools, which can add additional cognitive load during randori. So my advice to you is a combination of points 1 and 2 earlier:

Decide on ONE throw that you want to throw everyone with. In every randori, with every opponent, your goal should be to somehow achieve the kuzushi for that one throw. There are many ways to set up a throw, but the goal should still be to try different ways to get the kuzushi you desire.

Eg: Trying to throw a standing, defensive opponent with a random Tai Otoshi is not judo. I’m constantly trying to get them to move or react in a way that off balances them first, so that I can do the Tai effortlessly. This “effortlessness” is only possible if you have kuzushi.

Another tip for randori: in general, good throws hit like lightning — they’re fast and explosive and the opponent doesn’t realize what happened until they’re already on the floor. If you’re doing everything I mentioned above (i.e. building your familiarity and confidence with a particular throw and the type of kuzushi required for that throw), there will soon be a day when you spot an opening and pull the trigger instantly. Judo will become much more fun.

An additional thing I’ll say here is that JUDO THROWS WORK! If you create kuzushi, and then enter and do the throw as you learned it in class, the opponent WILL get thrown. The reason your throws aren’t working in randori is that you aren’t recreating the basic conditions required for them to work.

Judo: unlocking the “compound effect”

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Notes:

  • A black belt in Judo (at least in Japan) means you have “learned the basics.”
  • Here are the basics of Judo:
    • Rei – bowing and being respectful
    • Ukemi – breakfalls, rolling, and injury prevention
    • Throwing:
      • Kuzushi – weight shifting
      • Tai-sabaki – moving into an advantageous position
      • Kake – executing the throw
    • Groundwork:
      • Kuzushi – weight shifting (yes, newaza is also based on the same principles)
  • After several years of Judo, I feel like I have barely even begun to learn these basics.
  • Even if I were to get a black belt tomorrow, it would be deeply unfulfilling.
  • My training methods has changed a little recently to reflect this realization.

We’ll talk about rei another day, because it’s more of a philosophical / spiritual subject.

Ukemi

The right ukemi not only feels painless, it feels almost joyful. Like play.

I practice ukemi every time I show up to training, so I’m slowly getting better at it. I still can’t do it smoothly, but I’m trying to be more mindful of the details and hold myself to a higher standard.

I’ve noticed that tiny changes, such as the angle between the arms and the torso, the tension in the arms, the timing at which you slap the ground, and the positioning / angles of the feet make a HUGE difference to the result.

Mastering ukemi alone is a wonderful, long-term pursuit. I’m also trying to slowly push out of my comfort zone bit by bit, so that I could withstand more and more dangerous / unexpected falls in the future.

Throwing

This is the sexy part of Judo that everyone wants to get better at, myself included.

The last part of a throw, the kake, gets all the attention. But it is also the most deceptive. The real mastery of Judo lies in kuzushi and tai sabaki. I guess it’s like a chess manoeuver. The reason you lose is not in the immediate move but in the mistake you made 5 moves earlier.

But I’m very guilty of completely forgetting this during randori and also during uchikomi (although recently I’ve been getting better — with an ego as obstinate as mine, it will be a journey). It takes enormous self-mastery and humility to not get caught up on the final result, which is whether the person has fallen or not, and only focus on the process that led you to it.

Newaza

Same as the above. Focus on mastering kuzushi, not on the end result.


This is a good time to revisit the question, why am I doing Judo? What do I hope to really learn from all this Judo practice (that I couldn’t get from another sport or activity)?

I believe that at least for now (until getting to my black belt), the answer is simply in mastering kuzushi and tai-sabaki.

If the only thing I ever got out of Judo was this, I’d be a happy camper. And I also realize that if I never master these two concepts, then I’d look back on Judo as a waste of time that could have been spent better on another sport.

One frustration I had in Judo for a while was that every day the curriculum is different and random (i.e. you might go two weeks before you practice the uchi-mata in class again), which makes focusing on individual moves / skills very difficult. Training was very inconsistent.

With such a haphazard training focus, you can’t get the benefit of compounding, which in my view is the end-all-be-all.

But with a focus on basics, training suddenly becomes very consistent — no matter which move we are drilling that day, I can treat every second of training as an opportnity to polish the same skill, and in fact, multiple ways of exposure to the same skill.

As I learned from my challenge to become fluent in Japanese, it’s very helpful to fall back on a process that acts as the main vehicle for your learning journey:

For example: one way to become a better programmer, is to start and prototype as many projects as possible (or start ONE major project and see it end to end).

To become fluent in a language, one way is to focus simply on comprehensible input (consuming as much native content in that language as possible, understanding one word, one phrase, one line at a time).

For getting better at Judo, my process is to focus on kuzushi and tai sabaki in every rep, every set, every minute of Judo practice.

Judo injuries, and discovering the Infinite game

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It finally happened — the thing that I most feared could throw a wrench in my Judo journey at the Kodokan.

I got injured.

Specifically, it’s in my right wrist (my tsurite, which is all about the wrist action). I also have an injury in my left knee, and minor issues in my right elbow and right knee.

I feel frustrated, I feel angry, and I feel stupid. I also feel grateful.

First, I’m grateful because it could have been much worse. I’m glad that I didn’t break something major, and I can recover without surgery. I’m also extremely thankful to my classmates who think of me and check in with me often to see how I’m doing.

Aside from that, I’ve also been thinking about all the things I could have done to prevent my injuries:

Not neglecting warm ups? More sensible and consistent strength training? Listening to my body and not continuing to train when I first noticed the issues?

This is what bothers me most – not the injuries themselves, but rather the fact that I could have been more responsible.

So here’s what I’ve learned.

1. In Judo, warming up ALL your joints is un-fucking-negotiable.

Judo is an impact sport, and has many explosive movements. The tatami is also much harder than a wrestling mat.

If you don’t warm up (as I should have, diligently), the risks of getting an injury are much higher. Travis Stevens, the Olympic silver medalist in Judo and also a BJJ black belt, said that he never got ONE injury in BJJ — all his injuries are from Judo. That’s how much of a difference there is in the nature of the sports.

Over the last few months, I was one of the guys who came late to class and usually skipped the long warmups. I did a short one, mostly for my legs and spine, but it’s not nearly enough.

Even if you turn up late, you have to warm up all the joints that take a beating in Judo, and it only takes 10 minutes. There are many modalities for this, you have to listen to the experts (I believe the gymnastic prep is the best — they’ve really turned warming up into a beautiful science).

I personally like starting at the bottom and move my way to the top — feet (ankles and toes), knees, thighs and pelvis, spine, wrist, elbow, shoulders, and finally neck. And do some ukemi too.

And if you show up on time for class, of course you’ll do a traditional Judo warm up.

2. Strength training the smart way

For the longest time, my only interest in strength training was motivated by having big muscles that look good, and in being stronger than my competition.

Both were based on my ego. And I was impatient about “results,” thinking that strength was just a few months away.

I had heard from several REAL coaches in the fitness industry that the journey takes years, not months. But I had chosen to ignore their warnings.

I focused on progressive training for push ups, pull ups, and the like — doing low reps, which further irritate the joints.

Here’s what I’d tell myself now:

First, here’s some context for why the fitness journey takes years for most people (especially beginners).

If someone didn’t actively play many sports as a child and well into their teenage / early adult years, then they probably lack an extremely important thing that most people don’t even mention: an athletic foundation.

Athletic foundation has to do less with your muscles, and more with your tendons, ligaments, and joints.

I lack that foundation. I did play some sports recreationally, but I was a chubby kid. I wasn’t an athlete. Therefore, as an adult, I have to first go back to the basics and build the “inner strength” before I can even think about impressive numbers or good-looking muscles. (I’ll talk about my specific training regimen in a bit.)

Now, this might be pseudoscience, but I don’t care. For most “untrained individuals” (i.e. people who are training seriously for the first time in their life), it takes a while to get your mobility and flexibility (and stability) to a level where you’re ready to safely do heavy muscle-building strength training.

Your muscles will get stronger much faster than your joints, and very soon this will cause you to get injured. Two steps forward, three steps back.

Second — and this is a mindset issue — stop setting GOALS for strength or physical transformation.

There are two types of games — finite games and infinite games.

I now strongly believe that physical exercise should be seen as an infinite game, where you simply take it one day at a time and don’t have any time horizon for when or how you’ll achieve certain milestones or goals. In fact, it’s better to stop setting goals altogether (at least removing deadlines).

The fact is that I’m really bad at estimating how long things will take, not just with my physical body but with many other things.

I do have a VISION for what kind of athlete I’d like to become someday, but I’ve stopped putting timelines and targets around it. And instead of progressive strength training, I’m now training for movement quality.

It’s actually much more freeing and enjoyable too. Now I can show up to a workout feeling excited about what I’m going to learn and experience, instead of worrying about how I’ll “perform,” whether I improved enough from the last time, or how far I still am from the next exercise progression.

Here’s a loose description of my new regimen.

1. “Regressive” strength training: I’m following the Convict Conditioning process of starting with simple, high-rep bodyweight movements.

Eg: for push ups, I regressed all the way back to wall push ups, doing sets of 50 push ups each. (Though it would be more accurate to call them “push aways.”)

I actually love them. I can really feel each rep, and they burn really hard, but I’m under no hurry to move to the next progression. I’m going to keep doing them until 3 sets of 50 feel like a walk in the park.

Paul Wade, the anonymous author of Convict Conditioning, calls it “milking the program” — i.e. staying at the same level of an exercise for as long as you keep getting benefits from it. Why the rush to move to more difficult exercises, when the current one isn’t easy yet?

2. Mobility, flexibility, and balance: This is more for my legs and core, but it actually makes the whole body stronger and more coordinated.

I’m following the GMB method, that has a lot of animal movements. Bear walks, crab walks, monkey hops, frogger jumps, etc. Someday I’d like to be able to “hang out” comfortably in a deep squat with my knees close together.

It also includes peacock squats, side lunges, sissy squats, and other great movements that most strength training programs don’t include.

3. More walks outdoors, and a gallon of water per day: this is just for mental well being and for detoxifying my body. My skin has gotten much nicer and I feel less stressed overall.


The interesting thing, is that Coach Wade says that the long way is actually the short way.

If I’d been patiently doing the above routines for the last 2-3 years, I’d be in a much better place now — probably having close to my ideal physique and being able to take on bigger strength challenges, maybe even trying sports like powerlifting or Olympic weightlifting.

I don’t care how long it takes – I’ve realized that the fastest results I’ve ever gotten in life so far were when I had only a distant vision for the future, and then played an “infinite game” everyday until I got there. Taking a really long view is the best for my personality type.

The best games are so enjoyable that you don’t want them to end. The older I get, the more I’m rearranging and reorienting my life around such games.

Beware the old Judokas

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I don’t like to generalize, but I’ve gathered enough evidence over time that something’s strange about the 70+ year old judokas at the Kodokan.

They’re tough motherf**kers.

It’s a very subjective opinion of course, but I feel like their judo has a brutal, unforgiving side to it.

Sometimes when I do uchikomi with an older guy who’ve been at it for decades, as soon as they take their grips, I feel a strange, scary “pressure” as if the guy is practicing how to kill me, not to throw me.

(Maybe they grew up at a time when Judo was a much more macho (and violent?) sport than it is today. I don’t know.)

At the same time, they don’t use much physical strength — which makes them much more terrifying. They maximise the use of their bodyweight and their angles of movement to fully off-balance you on each rep, so you feel quite helpless, and it takes everything you have to not get thrown.

Like, often in uchikomi with young guys, my mind can drift off, because they don’t off-balance you properly even if they’re doing full uchikomi (not just the step in). But with the older guys, every rep feels dangerous, no matter how you posture yourself.

Quality over quantity in each rep —> clearly, that’s one of the best ways to improve your Judo over the long term.

Perhaps if I obsess over kuzushi as the most important skill, my Judo too will become dangerous over time.

My biggest lesson from Judo: detachment and presence

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I’m going to confess something right off the bat.

I originally started learning Judo because it looked strong, cool, and badass. In hindsight, this was rooted in an insecurity — these were all qualities that I wanted for myself, because I thought of myself as someone who was weak, uncool, and kind of a pussy compared to the martial artists and athletes I saw on the internet.

I was desperate to stop feeling that way, and to be “reborn as strong” like in a Captain America movie, so I gave Judo everything I could. I was in a hurry to progress, and I was very “competitive.”

I set my goal to earn a black belt, perhaps believing deep within that it was the key to solve my problems. “When I finally put on that belt, maybe I will not feel weak anymore.

With such a powerful motivation, I wanted progress at all cost.

I showed up every day like it was my religion, and hated skipping training. I got very good at technique.

But I just couldn’t throw people in randori. I hated being handed my ass (which happened all the time, no matter the size or skill level of the opponent), and it started taking a toll on me mentally. The more I trained, the more frustrated I got.

This pattern repeated itself at every dojo I trained at – Cornell, San Francisco, and even the Kodokan. Eventually my frustration reached a breaking point. I considered quitting Judo many times. (The only reason I didn’t is because thinking about quitting always gave me a visceral sinking feeling that I didn’t know how to deal with.)

I would tell people that I loved Judo, and I thought it was the case. But deep down, it was a lie. I didn’t care about Judo, or even enjoy it. I just wanted to skip to the end — being able to throw other guys and feel like a badass.

My technique may have been good, but the mental and emotional aspects of my Judo were a complete mess.

Recently, a strange mental switch happened in me (a humiliating loss in my first shiai probably had something to do with it).

At first, my response to the shiai was to double down on technique — where was I making mistakes? What could I fix / improve? Where could I focus to get the “biggest bang for the buck”?

But at the same time, due to a combination of circumstantial reasons, it also started to became a very real possibility to me that I might have to stop doing Judo soon (reasons had nothing to do with Judo itself or my frustrations with it). That I might never get a chance to stay and train towards a black belt. I also got a wrist injury, which further dimmed my prospects.

I started to let go of my end goal of a black belt. I had long ago accepted that I didn’t have any innate talent for the art, but now I even started to give up on the hope of making progress. I started to accept that maybe the only thing I would ever get out of Judo was whatever I could learn in that day’s class. Maybe “today’s training” was all my Judo journey would ever amount to.

I’ll be honest, at first it was very demotivating. I started to show up less consistently, and was half-assed during practice. There was no longer any fire burning in me. I had mentally resigned.


The strange thing is that only after I let go of the pressure to improve, did I start to find any genuine enjoyment in Judo in the first place.

Showing up to class and standing on the sidelines due to my wrist injury, all I could was to watch, do some footwork drills by myself, and practice the ippon seoi nage after hours (it’s the only technique that doesn’t use my right wrist).

This experience at first felt disempowering, but eventually… freeing.

Being a bystander, watching my classmates, young and old and from all walks of life, working hard together and trying to better themselves, fumbling with techniques and trying different things, gave me a chance to absorb Judo in its most natural and playful state.

Where previously I would resent randori due to all the negative feelings it evoked in me (I only ever did randori because I saw it as bitter medicine that would make me strong), for the first time, I found myself saying, “I want to do randori so bad, look at all the fun they’re having.

Yesterday, I finally couldn’t hold it any longer. My wrist felt sligthly healed, so I decided to try randori again. To my surprise, for the first time, I actually had fun — and ended up executing more throws than I ever did before! (I also slightly aggravated my wrist injury again… time to step back! xD)

It was an unreal experience, my first ever — while previously I’d literally have to remind myself to smile during randori (for real), this time I was doing it automatically.

Being present in the moment allowed me to be “sharper,” less defensive, and more adventurous. For the first time I was doing randori for its actual purpose — to practice applying the throws you learned, and not to throw others using what you’ve learned.

This is a very important distinction:

Throwing the opponent is a by-product of trying to apply a throw the way you learned it. It is not the goal of randori in itself.

When I was doing Judo with a goal in mind (I want to progress, I want to get strong, I want to get this, I want to get that, etc) — I was playing a finite game, with a finite time horizon. I couldn’t wait for this game to end, so that I could TAKE what I could and walk away. I was forcing my mind and body to improve and show me progress on a consistent basis.

But when I did Judo for fun, I was playing an infinite game — one that I wouldn’t mind play forever, and the goal was not to take, but to GIVE myself the gift of enjoyment.

Of course, I’m not fully there yet, but I’m on that path.

Previously, when I saw 70 and 80 year olds still doing Judo, I used to wonder why. Don’t you get injured? Why would you be doing this to yourself? Now, I’m starting to see why.

Until the next revelation!

My Second Shiai

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It finally happened — a month after my humbling first shiai (bout) where I lost by ippon twice within 10 seconds each, I had the opportunity to go again.

Leading up

This time I approached the day from a place of surrender. I didn’t care how it went. If I lost, so be it, I’d continue my Judo journey as it is, with no hurry to progress. If I won (which I had very little confidence in), so be it too.

In my heart of hearts, I didn’t believe I would win. I couldn’t visualize victory. In fact, I only registered for the shiai because a classmate encouraged me to (“This time your chances are >95%”).

The night before the shiai, I played through a few scenarios in my head. Mostly, I planned to play defense first, move my opponent, and hold out. I’d only go for a throw if I saw one.

On the day

I was calm and still in surrender mode. This time, the room was full of test takers — more than 25 people showed up (only 5 people at my grade though including myself).

I was fully prepared to go first this time. But as luck would have it, I got called later! I’m wondering if during my first ever shiai, sensei had called me first deliberately, so that I would have my worst experience from the get go. Or maybe it’s just the way it works in Judo — the lowest rankers / juniormost test takers always have to go first. Somewhat draconian, but maybe it’s for the best!

By the time I was called, thankfully, my first opponent Grant Baker had just had a tough bout and was fairly gassed.

The first bout

As soon as the sensei signaled “Hajime!” it felt like something switched on inside me — I approached him like an attacking player, and was the first to engage.

I took fairly high, tight, dominant grips — on the tricep for the hikite, and a high grip above the collarbone for the tsurite. He gave me a little bit of trouble with grip fighting (at one instance he prevented my right hand from getting to his collar), but thankfully I was able to snap his hikite off and punch-grab his collar.

I also took one of the most effective (and annoying) stances that you can in Judo — I hung onto him with my heels up, transferring like 50% of my bodyweight onto him. It made me quite light on my feet, so I could move around easily. But it made him even more tired than he already was, and unable to move in for any attack.

I moved him around a bit, and tried to go for an ashi-waza a few times. Grant has a habit of crossing his legs when he moves, so I hoped to catch him when he did that. :)

But the sensei suddenly stopped us, and apparently warned Grant for taking an illegal grip on my right hand (apparently his finger or thumb was inside my sleeve). I hadn’t even noticed! I guess that’s the benefit of taking a dominant grip.

We engaged again (somehow I was very aggressive today in taking grips), and the sequence played all over. In the end, neither of us threw the other, and we drew.

The second bout

I was asked to remain, and they called my opponent over — Kudo, a Japanese kid from high school.

I aggressively took dominant grips again. The hanging really works for me, so I felt very safe.

This time I felt a little better positioned to attack, so I played a more offensive game. I went for a few ippon seoi nages. Didn’t get it, but I kept trying to force it through, even switching to a harai or something.

At a certain point, I fell/dropped forward on my knees. I planned to instantly get back up, but this became the turning point in the bout.

We went straight into ne-waza. I tried to hold him off and get an armbar (because he stretched his arms out), but he managed to recover and hold me in kesa-gatame.

I tried to escape in the wrong way — instead of using a proper technique, tried to use strength — but it didn’t work. He held the osaekomi for dear life and won by ippon.

Reflection

1 draw and 1 loss. Didn’t get taken down, didn’t get injured, and didn’t go blank.

The loss wasn’t even embarrassing — I was dominant for most of the bout, played both defense and attack, and only lost because of a couple of easily corrected mistakes and impatience.

But Judo has suddenly become a lot more fun, and my path forward has become a lot more focused. Here’s how.

(UPDATE: I passed the test and graduated to 3rd kyu!)

Narrowing the pool of approaches

As I said in my previous post, there are many many things that I could do to improve my Judo.

But I was looking for how I could apply the 80-20 rule — i.e. finding the 1-2 things that would push me the farthest along the route. And I think I’ve found them:

1) The hanging stance

I’m tall AND lanky (<65kg), so most opponents are either shorter and similar weight but with a stable center of gravity, or they’re of similar height but physically much stronger and heavier.

So transferring my weight to my opponent works well for me. It helps to even the playing field a little, and keeps me light. It’s also fairly easy to do, so I can just make this my default.

2) More focused uchikomi

I’ve found my default stance, but I realized that I haven’t practiced attacking from it.

Attacking from a defensive stance is a little more complicated, because you aren’t starting from a neutral base. First, your feet are behind you, and there’s a larger distance to step in. Second, your weight is already on them — so you have to release the weight before you can apply it again in a different direction.

As soon as you release the hang, your opponent experiences an instant weight shift which creates some kuzushi (i.e. they suddenly go from a little crouch to a more upright posture, and straighten their knees), and you have to practice how to use this momentum against them.

So, going from the hang straight into a waza is the name of the game, so that you can capitalize on this tiny window of opportunity.

The first step is to simply get used to the reaction people have when you release the hang, and do an explosive half-uchikomi (i.e. just close the distance, open their arms up, and get them on their toes ideally). Once I can reliably get kuzushi on people, I’ll focus on how to chain attacks.

My uchikomi just became a lot more directed and motivated!

3) Choosing a few staple techniques

I’ve already been going in this direction, but I’m at the point where I need to zero in on a few techniques that make sense for me, based on the height and weight difference.

The weight shift opens up many interesting possibilities, so the next month of uchikomi against all kinds of opponents will reveal which will be my go-to.

What I can say is that the morote seoi-nage is a tough one for me, mainly because of how some people have very tight gis where there’s a risk of injuring the right hand while turning.

I’m seeing a lot of potential to develop my wrong-side ippon seoi-nage and ouchi/kouchi. and harai or hane-goshi or uchi-mata for shorter opponents. Also sasae and osoto gari.

Conclusion

The biggest issue with learning Judo as a beginner is the large number of things that you can focus on to improve technique, and also how individualistic the sport is.

While learning Japanese, I was able to steadily improve and make tremendous process over time by sticking to a singular activity — reading and listening to native content — and showing up every single day.

In Judo, I didn’t have that clarity of process yet. But now I feel like I’ve found my training process. A lot of the small strategic/tactical things, such as posture, grips, moving opponent, staying relaxed, attacking consecutively, etc are settling in place. But these alone can only take you so far in Judo.

Without good technique and kuzushi, you won’t throw people. And my uchikomi training so far was just not transferring well to randori. But now that I know my starting point for every attack (the hanging stance), and the kind of kuzushi I will have to begin with (the sudden weight shift), I can drill this move a thousand times and build muscle memory.

On to the next mini-chapter of the journey!

The Judo You Do vs The Judo You Need

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Judo is, like any martial art, has infinite variations. Every person has their own style.

Powerful judo, beautiful judo, aggressive judo, fluid judo, surprising judo, deceptive judo.

Judo means different things to every practitioner.

I’ve struggled with randori for a long time, and gone back to the drawing board many times to figure out just what I need to focus on to improve. And the list is endless. There are infinite things you can do to get “better” at Judo.

But let’s dissect that goal once again. What do I really mean by getting “better” at Judo?

The honest answer is a straightforward one: To throw more people, and get thrown less.

No matter how much you tell yourself that randori is about practice and not a competition, nobody likes to “lose.”

The reason we train is to throw with a higher percentage. We train to win, not to lose.

But recently another thing dawned on me: why is it important for me to “win”? What am I really trying to get out of my Judo journey?

I didn’t start Judo because I wanted to get good at technique, or to become more graceful in movement, or to learn to defend myself, or even to get stronger.

I got into Judo to overcome my fear and insecurity about being “weak.”

I wanted to be reborn from the timid kid I was growing up. I wanted to become the kind of person who would face danger head-on — like the superheroes I saw in the comics as a kid.

I started Judo to get better at offense, not defense.

But my approach to Judo training has been completely at odds with this inner goal. I’ve been so focused on protecting my ego in randori (don’t want to get thrown, want to throw the other person), that I forgot to practice the very thing I signed up to Judo for: being able to engage fearlessly with a man of any size or strength.

And the way I train on the tatami should reflect that.

Specifically, it means that when I’m doing randori, I have to confront my fears. This means, going for the attack not in spite of the possibility of being countered and getting smashed to the ground, but precisely because of it.

Like Roger Federer said: he would purposely try to engage with his opponents’ strengths, to push himself to be better. If someone had a dangerous forehand, he would purposefully aim for their forehand and try to beat their forehand.

If what I’m scared of is to be countered and get humiliated, then I have to purposefully aim for such a deep, strong, committed attack that I willingly OPEN myself up to being countered and humiliated.

It all ties into what my sensei told me the very first time I asked him for feedback on what I should focus on: “waza wo kakeru” (apply the techniques).

The most important next step of training in Judo is to go and face my fears in randori.

If I keep training the way I’ve been doing right now, even if I get “better,” I will still be same person I was before I started.

To be honest, now that I think about it, I couldn’t care less about winning in Judo. I don’t care about being the terror of the mats who throws everyone.

What I really want is to feel like a peer of the tough guys on the mat — to have the confidence and character to challenge anyone, and to do brave, courageous Judo that is fearless and demands respect.

So, what is my Judo?

It isn’t strong Judo, or beautiful Judo, or smart Judo.

My Judo is brave, fearless Judo.

So the next time I do randori, I will tell myself that the reason I’m there isn’t to win. It is to live fearlessly and assert myself. And to do that, I must attack — deep, consecutive, powerful attacks that convey that hunger to rebirth myself from the timid boy I was to the fearless man I want to be.

First randori after my first shiai

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In my last post I reflected on losing my first two shiai in spectacular fashion.

Today, 3 days later, I finally got a chance to randori and put my learnings into practice. We did around 5 rounds.

Here’s what I learned.

Moving your opponent is easy and you should constantly do it

Relaxing my arms, and moving my opponent around, was very helpful.

It’s surprisingly difficult to think strategically and make decisions when the situation is constantly changing around you — which is what your opponent has to deal with when you’re moving them unpredictably. As soon as they decide on a throw (in fact, before), you’re somewhere else!

It doesn’t even take too much movement; in fact, just a few flicks of the wrist here and there do more than enough to keep their brain on alert and prompt a reaction. It’s very instructive to watch when that happens.

Breathe through your nose to keep your stamina

I ran out of gas by the second round, because I was exerting myself. Then I reminded myself to breathe through the nose, and managed to keep the same (weak) pace for the next 3.5 rounds! If only I did that from the start.

Enough said.

Smile during randori

I’m not even kidding. It helps you relax and keep your stamina.

Watch your opponent’s neck

The only times I got thrown were when I was so tired that I stopped watching my opponent, and also stopped moving them around as a result.

Instead of looking at their feet, or worse, your own feet, looking at their neck gives you a view of their entire body. And this is when you find way more openings.

Attack deeper

Partly because of being tired, partly out of looking at their feet, and also partly out of habit, most of my attacks were quite shallow — they didn’t look like the combos we trained in uchikomi practice.

For example: while going for osoto gari, chest contact is essential. You can start from afar, but if you don’t close the distance afterward and connect your chest, it will be very difficult to finish the throw. But I believe I will get better at this with more uchikomi.

As I’ve written about before, every throw requires a certain amount of “space” (or lack of), and if you just keep that in mind, judo becomes much easier as a whole. The more I train, the more I become aware of this fact.

Another aspect of deep attacks is that they should be explosive, and made with the intent to throw. It’s better to wait for an opportunity and then explode periodically than to constantly make little shallow attacks that don’t go anywhere.

A new focus for uchikomi

My best throw in randori will never be prettier or cleaner than my average throw in uchikomi. This fact has become dauntingly clear to me.

For example with the seoi or ippon seoi, I’m good at the basic technique, but as soon as I speed things up a little, my uchikomi form declines considerably and only 4/10 times do I manage to lift my opponent gracefully. I still have a long way to go before I can automatically adjust the distance etc with my opponent and keep doing each move accurately.

It’s painfully obvious that if you can’t enter a throw gracefully in uchikomi, how can you expect to confidently do it in an instant in randori?

In summary: PRESENCE is the way

The main realisation over the last few days is that there is so much that I can improve in Judo before I even have the luxury of complaining how hard it is. Judo is frustrating yes, but it’s not an opaque wall. There is a path, a method to the madness and if I simply improve and keep practising and getting better, the results will come.

That’s why I like what they say on the Kodokan website on a short, dedicated page about “mental requirements” for joining the school: The most important thing is to never give up.

Another big realisation is about PRESENCE. If you can be fully in the moment in judo, fully aware and appreciative of your partner, like in a ballroom dance — completely in tune with every twitch, breath, and step they make — your judo will be ferociously strong. Losing this presence and having your head inside your own ego (“I just want to throw this person, I don’t want to get thrown, I am scared, I want to attack, I will look weak or stupid if I don’t perform, yada yada) is the root of most of my issues.

My journey of learning Judo is helping me get better at life itself.

Let’s keep improving!

My First Shiai

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Yesterday, I took my 3rd kyu test at the Kodokan. It comprised of two things:

  1. A quick demonstration of mae-mawari ukemi (forward rolls).
  2. A shiai (competition) with classmates (2 rounds)

Here’s what happened:

I got my ass handed to me — twice — in a children’s tiffin box.

I lost my composure as soon as both shiais opened, in a panicky “throw as soon as you touch them or they’ll throw you” mode. And that’s what happened — I attacked single-mindedly, and lost both bouts within 10 seconds. Mine were the quickest shiais among everyone who took the test.

I didn’t take any time to think. Forgot to get into position, to watch my opponent, to move, and to breathe.

I don’t even know which throw I got hit with. I have no memories of what happened or how it happened.

All I remember is that I went for a big pull, then pushed into a quick fake kouchi (which failed to get any sort of reaction because I was too far from the opponent), and then pulled again into a seoi nage that again failed because I was in a bad position with bad grips.

After the failed attacks, I switched into regroup mode and don’t remember what happened next, just that I played into whatever judo my opponents were doing.

But it wasn’t all a disaster. There were some good parts:

  1. Didn’t get injured (my worst fear). I did very good ukemi on both my falls, and sprang back up.
  2. My mae-mawari ukemi was the best I’ve ever done (another big fear I had). I’d been working on my technique for the last several weeks, to be able to do it painlessly and beautifully — and it happened to come together yesterday. Still needs improvements, but it’s pretty good.
  3. I didn’t feel like I got “outclassed” — I know that I’m much better than my performance yesterday, which means that luck was not a deciding factor. Yesterday’s humiliation has ignited a voracious hunger in me to fix the mistakes I made and come back next time much stronger.
  4. Before the test, I helped a couple other people remember the names of throws. I feel good that they performed better because of it.
  5. I was well-nourished and hydrated, and properly warmed up before the test.

The next month: turning my judo around

  1. Randori, randori, and more randori. Get as much real mat time as I can. At the end of next month, being anything less than feeling completely present and rational in randori, properly observing my opponent and attacking with confidence, is unacceptable to me.
  2. Breathe, relax, and get in close. Work on creating the right space for different attacks — close enough for kouchi and kosoto, and low enough for seoi and others.
  3. Have a very good posture and get comfortable in the knowledge that you won’t get thrown so easily. It’s better to feel safe and slightly overconfident and be able to do your judo, than to feel paranoid and get paralyzed.

この悔しさをバネに、次回もっと打ち込んで頑張って必ずいい結果を出す。

Getting Out of Beginners’ Rut in Judo

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Judo is one of the toughest and most unforgiving sports — because the fundamentals take an extremely long time to learn. And during that time you’re also getting thrown around and humiliating yourself in every randori, which doesn’t help.

But I’ve realized that most of these frustrations are because of a lack of structure and goals in judo training. It’s tough because you don’t even know what you’re looking for. It just feels like an ocean of things to learn ahead of you, but feeling doomed to stay in the shallow waters for years, unable to move forward. After a while you begin to resent the very ocean you were so excited to cross.

So here’s what I’m doing to get *consistently better* in Judo, in a way that I can actually feel the progress, see where I’m going, and get excited to show up everyday.

Making a chart of the basics

Two basic things have to come together for a nice, clean throw to happen in Judo. Let’s list them:

  1. Getting the opponent off balanced (kuzushi)
  2. Being in a position where you can complete the throw

But to make these happen, a lot of other things need to work together:

  • Having the right posture and stance, so you can move into position
  • Pulling or pushing your opponent in a way that you can make them off-balanced
  • Having the right grips on the opponent to control their posture and center of gravity
  • Finding or creating the right timing and space to enter into position
  • Etc

All these aspects must be learned and improved in training, and practiced in randori. Each of these yields a demonstrable, measurable improvement in your randori!

The basics are hard, but they can be learned if you know them. Judo is like a jigsaw puzzle that has to be put together.

Presenting the basics in a more structured way would benefit the struggling beginner. But if the dojo/instructor doesn’t do it, just make your own plan!

My focus right now

As I approach my 3rd kyu grade, the pieces are starting to make sense in my brain. I’ve started to identify my own areas of improvement — there are so many, as I described above — and am working on them one by one.

My most recent breakthroughs:

  1. Relax and breathe through your nose. You can’t learn anything from a randori session if you aren’t using your head to read and fully feel the situation instead of single-mindedly attacking or doing survival defense. I sometimes just “chill” in randori and allow the person to throw me around, just to squeeze the fear out. Getting better at ukemi makes you better at judo.
  2. Get the right grip for the right throw, and learn to choose the right throw based on the opponent’s body type and gi’s thickness. I can’t easily do a seoi nage is their lapel is too thick and too tight to fold, AND the guy is shorter than me. I have to grab them differently. You can’t make this decision in real time unless you follow #1.
  3. Hanging onto your opponent transfers your weight on them. Makes your feet much lighter.
    If you’re light and physically weak, learn to project your entire body weight through your hands. They should feel like a 30-40kg dumbbell just got dropped on them or (taken off their hands) in unpredictable rapid succession every time I move.
  4. Every judo technique needs a certain “space” that, should you create and enter it, hands you a beautiful throw. If you enter a throw without creating the space first, you’ll get repelled back or countered. I’m starting to get a great sense of what this space is like for the seoi-nage the more I practice it (the opponent needs to be on their toes or bent over a certain amount, the hikite needs to be high enough, and I need to be at a certain distance), and it really helps a lot.
    Instead of saying, “I didn’t have kuzushi” when I fail at a throw, saying “I didn’t create the right space” is much more actionable and useful feedback — kuzushi is so broad and hard to grasp at my level that I need a proxy for it.
  5. When you attack, attack with the intent and EXPECTATION to throw the opponent for ippon. Don’t do half-hearted attacks — they drain energy and don’t teach you anything.
  6. Mae-mawari ukemi. I want to do it as beautifully and painlessly as some of the senseis.

Judo feels more thrilling and exciting than ever, as if there isn’t enough time in the world to practice!

I challenged myself to achieve fluency in Japanese in 12 months. The result blew me away.

Reflecting on my Japanese journey — the habits that made me successful

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Recently, I’ve been frustrated with certain things about myself.

I’m a big believer that success is about certain habits and behaviours that anyone can adopt. So in this post, I want to explore my past successes and see if there were some common patterns. There’s probably something to learn from MYSELF.

If you want to do something for a long time, find a way to make the process enjoyable for yourself.

When I learned Japanese to near-fluency in 12 months, here were the factors that may have worked to my advantage:

1. Motivation:

  • Fear of losing the streak and past regrets about not being fluent (even after 10 years) motivated consistent practice.

2. Consistent Daily Practice:

  • Gamified the process to maintain a streak.
  • Focused on showing up daily, even for short periods.
  • Accepted initial struggles and trusted in gradual improvement.
  • Prioritized enjoyment of the learning process.

3. Clear Goals and Mindset:

  • Set an ambitious 12-month goal (“fluent in 12 months”) but didn’t stress about it.
  • Also defined a clear, exciting, and slightly intimidating activity goal – a 365 day streak of daily study.
  • On a day to day basis, focused on lead measures (effort, consistency) over lag measures (fluency).
  • Visualized future fluency and adopted a “finished” mindset.

4. Right environment:

  • Kept the learning method simple and effective — doing the same things that I’d do when I achieved my goal in the future.
  • Tracked progress and shared it publicly.
  • Celebrated milestones and surprises.
  • Most of my time was spent in the “Goldilocks Zone” of challenge: not easy, not too difficult.

My Japanese *Stopped* Improving After Moving to Japan: Here’s What I’ll Do Now

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I kinda expected that this might happen, and it did happen.

My first impact with Japan was very satisfying, and I have indeed picked up some vocabulary after coming here. But I can now announce it officially: my pace of improvement in Japanese started to slow down as I approached the date of moving to Japan, and after being here a couple of months, it has completely plateaued. I no longer feel like my Japanese is improving week to week, and at this rate, I’ll leave Japan not being much more fluent than how I entered it.

The good news is that I know exactly why this happened, and I know exactly how to fix it.

As I’ve said before, there are no plateaus in language learning other than in our own heads.

The only things that really improve your ability in a language are active reading and active listening. It should be fairly obvious — it’s physically impossible to learn new words without acquiring new words. To acquire new words, you either have to read them or hear them. And it has to be active input, meaning that you’re paying attention to the word and trying to “get” its meaning, because you could listen to a foreign language passively all day and never pick up a single word, because none of it would make sense to you.

As I arrived in Japan, my study focus shifted greatly from active to semi-active listening. The data shows exactly what happened:

As you can see, words of reading per day dropped dramatically. At the same time, listening hours went up by 194.

In the top graph (purple), you see how as a result, my cumulative known words gradually plateaued over the last 3 months. And my “daily” newly learned words dropped to a minimum over the same period.

The reason for this is simply… laziness. I was so focused on other aspects of my life, that I began putting the bare minimum amount of effort into Japanese learning. I’d keep doing it everyday, but without the energy that I put in over the last year. I stopped following the plan.

When you stop doing the things that got you amazing results, you stop getting any more amazing results.

Here’s what changes I’m going to make now to recover my lost momentum:

Reading > Listening. Semi-active listening has proven to be a dangerous trap, because even though it doesn’t work as well as active listening, it still works. It lulls you into a false sense of productivity and progress. I’m now going to measure my Japanese learning time ONLY by how much time I spend reading, not listening. I’ll still listen, of course, but listening hours will not be the main metric.

That’s it. That’s the only change I’ll make as of now. Language learning isn’t complicated.

As for the longer plan I wrote in October — as Mike Tyson said, “everyone has a plan until they get punched in the mouth.”

I’m no longer actively learning kanji. I’m no longer actively practicing speaking or writing through scripts. I get several opportunities to speak and write while being in Japan everyday, and I’ll just profit from those.

My life has been altered in a way that I simply don’t want devote the same level of intensity to Japanese learning as I did last year. The plan I wrote in October was assuming certain circumstances, which have now changed, so the plan must change too.

I must also announce, with a heavy heart, that I finally broke my daily streak of 373 days on LingQ. I could save it, but I’ve decided to give it a fresh start.

Feb 1st marks a new day: time to begin another streak, and this time, the goal is to get to 330 days — meaning, the end of 2024. Let’s see how many breakthroughs I make in Japanese.


UPDATE (June 2025):

Soon after the above post, I abandoned Japanese learning altogether (and didn’t go forward with my plan of trying to do another 330 days of consecutive learning).

Reason: I was satisfied with my level, and I was too busy with new projects and challenges (like getting a black belt in Judo) to focus on Japanese

What happened afterwards since then is that my Japanese has completely plateaued. It has gotten “sharper” in some ways (I recently met someone whom I initially met on my first day in Japan, and she commented that my Japanese has become more fluid) though that’s probably from just sheer repetition. I personally feel that my core base in the language has become slightly rusty, because I’ve started making grammatical errors that I didn’t make in the beginning.

It’s pretty simple — if you don’t read but rely on speaking and “writing”, the highest level of proficiency and eloquence you’ll ever achieve in your language is that of an illiterate / uneducated farmer from the 1600s (I mean this in a technical / objective sense, in the most respectful way possible). Reading and listening to a lot of good content is the only way to continue to sophisticate.

First Impact with Tokyo: how good is my Japanese, finally?

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It’s insane that just 12 months ago, when I had just started Japanese, I had zero plans of going to Japan anytime in the future. And now, I’m living in Tokyo.

Here’s how my self-taught Japanese of 12 months fared:

1) Getting things done with Japanese companies is so much easier.

Eg: to get a SIM card, I went to a Japanese company where nobody speaks English, and got a good price that isn’t available online.

Even though reading and understanding contract terms is not within my ability at the moment, they could explain things to me verbally and I could follow.

2. I can have long, engaging conversations with random Japanese people.

Eg: a lady was playing Pokemon Go on her phone while we were waiting at a ward office. I chatted with her about many kinds of topics, only once or twice needing to translate technical terms.

I also had a chance encounter with a Jehova’s witness on the street and I could converse with her. (Did not convert lol 😷)

3. My Japanese is quite a bit more advanced than people who went to language schools even longer than a year. Foreigners constantly get complimented on being “good in Japanese” even if they string together a simple sentence. But in my case, they are more specific: that I sound very natural!

LESSONS LEARNED

1. I’m kinda glad I didn’t spend much time trying to learn “survival Japanese” or any such structured courses in the beginning. I’ve found that at that level of proficiency, people find Tokyo to be equally easy to navigate with zero Japanese at all.

2. Build a broad base of natural Japanese by engaging with content that interests you — and it will transfer much better into everyday life than any specific vocabulary or grammar you try to memorise (if you can remember it at all). I promise.

Celebrating progress in Japanese

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Today (Oct 31, 2023) is a big day.

I did two video calls, both over 30 minutes long, with Japanese people who didn’t speak English.

And not language partners — these were staff of the two rental companies I was considering for my accommodation in Tokyo, so we talked about the apartments, the terms, and other things, purely in Japanese.

The only places where I used some English was to confirm the meanings of certain contract terms that had legal/financial implications. Other than that, zero English was used.

I did struggle often, of course, but at no point did we have a “break” in communication that often happens at the beginner/intermediate level. I didn’t have to pause and refer to a translation software at any time.

The strange thing is that the whole experience felt very… banal. Very ordinary. This never happened for me in French or Chinese, which always feel tiring to my brain after I use them in a conversation. I believe this is because of the WAY I learned these languages, and because my approach to Japanese was radically different.

Here’s why: I never really studied Japanese, I acquired it. I just found authentic content I enjoyed, and then listened and read and listened and read.

Whatever I’ve learned in the language so far, is organically “planted” in my brain. I’m excited to deepen my neural pathways in the language and attain fluid speech!

The Next Step of My Japanese Journey

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I recently finished one year of Japanese study, and wrote an article about my experience:

1 Year of Japanese: Results, Takeaways, and Future

It had a brief section on my intentions about how I wanted to proceed with the language, but this topic deserves a whole new post by itself, mainly to help ME reflect patiently and clarify my thoughts on the topic.

This post is about where I’m going from here.

At my current stage, I’d say I’m roughly on Gear 3 of Japanese. I’m far from plateauing in terms of language ability (the more I read, the more I learn), but I’ve definitely plateaued in terms of excitement. I’ve been coasting for a couple months now (which is a GREAT milestone to achieve, don’t get me wrong), and I want to kick things up a notch to rekindle the fire I had in my belly when I started.

What my Japanese is missing

Obviously, there’s still a LOT to learn (it’s only been 1 year of study!), but having vague goals gets you vague results. Let’s get specific and focus on the areas where I need the most improvement.

First, it’s time to revisit my goals with the language. Why am I studying it, and what would make the next 12 months a success?

When I started the journey, my overall goal was to pass the N2 or N1 JLPT exam. That’s still a worthy milestone I would strive for in the future, but for now, a change in my circumstances has changed my goals too.

Life took a turn, and I’m officially going to Japan this winter — for a few months at least. With that in mind:

NEW GOALS

  1. I want to be able to get around Japan and perform everyday activities (getting through the airport, shopping, visiting government offices, talking to staff at the metro station, and even encounters with the police etc).
  2. I want to be able to talk about myself and my background, pitch my company and its vision and answer most questions about it, talk about my family and philosophy, my Japanese learning journey, etc.

1. Kanji

I’m still not done with the Joyo Kanji deck. As of now, there are 825 kanji that I’m yet to see, and around 100 whose meaning is still “loose” in my memory.

If I can’t read Kanji, I can’t read, which means I will keep fumbling with my phone (and google translate’s image scaning feature, etc) everywhere I go in Japan. Unacceptable. If you know kanji, then even if you’ve never seen a word, you can guess a lot of context about it, which comes in super handy.

So far, the “meat and potatoes” of my limited study time was to just read and listen to lots of content, to drill sentence patterns until they become second nature to me. Kanji was an afterthought. I used Anki to learn, but I regularly missed days altogether, and the review cards piled up into the hundreds. Then I would plough through them to bring it down to zero, only for the whole saga to repeat after a few days.

Not only the consistency, I also reduced the quality of my Kanji study time: I set “new cards” to only 5 per day, and also stopped practicing handwriting every character. I somewhat regret this, because previously, having to write them by hand meant that I had to really recognize each little radical, and see the kanji as a collection of parts as opposed to a pictograph (which tends to get confusing over time).

So here’s the update I’m going to make:

  • Increase daily new cards from 5 to 15. With this, I will be able to get through the deck in 60-70 days as opposed to 165.
  • Restart handwriting practice. In the beginning, just start with new kanji, and forgotten kanji.

By January 1st (exactly 70 days later), I should have finished the kanji deck and only have reviews to do from then on.

2. Go hard on speaking and writing – finally.

Not focusing on “output” activities was one of the best decisions I made when I started this journey. With the time constraints I had, I wouldn’t have done it any other way.

Ironically, my output ability kept progressing regardless. I occasionally got mistaken for being pera-pera by native Japanese speakers. :) I’ve also been fairly good at conducting text conversations in pure Japanese (with slight assistance from a translation tool).

Recently, I’ve had to get on some phone calls with Japanese people who don’t speak any English. My discomfort came through loud and clear. Although I knew the words I wanted to say, I couldn’t form the phrases in my head quickly enough on the spot.

In the next 12 months, I would like to be at a place where I can really hold my own in Japanese conversations whether in business or personal life.

Now, I have a big advantage. I’ve been meaning to consciously slow down my speech and be more soft and calm when I talk (perhaps like a batshit angry person who’s trying to choose their words carefully…).

Speaking fluently is as much about vocabulary as it is about practice. Your brain needs practice, and so do your tongue and facial muscles.

So here’s what I’m gonna do:

First, I’ll write out sample conversations and monologues on a variety of topics that I’m likely to come across in Japan. This is a technique I’m borrowing from the late youtuber laoshuu505000, who used it to achieve conversational fluency in dozens of languages at rapid speeds, including some less common ones like Khmer, Hmong, and Lao.
The idea is this:

  • First, write down dozens of conversation “templates” in your native language, aiming to be eloquent (For example, in response to the question “what did you study?”, don’t just say your major, but rather tell a story of how you maybe originally wanted to study X and then decided on Y because X was boring, etc etc.)
    Do it for common conversation topics like why are you learning this language, where are you from, tell me about your family, what do you do, would you like to hang out, etc.
  • Translate the text into your target language, and practice speaking and listening to it A LOT until you’re sharp as a tack.

Do this enough times and it will help you be very well versed in most of the grammatical structures in the language, and sound very natural. I know this works, but I’m glad that I’m coming to this stage after going through an entire year of laying a solid foundation, instead of trying to “memorize” a language as a beginner.

Now, a lot of these conversations, such as going to a convenience store, hospital, etc are readily covered in beginner-oriented courses, so I can just do those. But for other stuff, where I talk about myself and my work, I’ll have to write those scripts myself.

I’m also thinking about maybe doing a YouTube show where I just talk in Japanese about things I’d typically do in English.

3. Continue listening to and reading authentic content

It goes without saying that I will not stop listening, for the foreseeable future.

My reading activity has gone down greatly over the last 30 days, and at the moment I intend to get it in by simply doing more writing instead.

My daily streak right now is ~280 days. It was hard-earned, and I don’t have enough conviction that breaking it will be beneficial to my Japanese learning journey. (I’ve wavered in the past on this, but always felt grateful to myself for sticking through.)

Outro

Today is October 25, 2023. Let’s see what happens on October 24, 2024.

No Plateaus in Language Learning

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This week, I achieved a goal that seemed immense when I started out:

I finished reading the entire transcripts of 75 episodes (3 seasons of 25 eps each) of one of my favourite creative works ever, Bakuman.

That’s 250,000 words in Japanese. For context, the longest Harry Potter book (Order of the Phoenix) — with 766 pages — has 257,000 words in English.

Over 11 months, I have read 413,000 words total (yes, I track all of it, using LingQ). It averages out to around 1,250 words per day.

I’ve also listened to the original audio of whatever I read.

Here’s a few new things I’ve learned:

#1. Consuming lots of content is the surest way of becoming fluent as an adult.

There’s a direct, almost linear relationship between how much content you consume, and how many new words and phrases you learn. These graphs say it all:

“Learned words” are completely new words that I marked as “known” over time. “Known words” include my learned words, plus derivatives/variations of the same words (such as verb forms and spellings etc) that I marked as known.

These are all words and phrases that I’ve actually *learned* (meaning, I don’t have to look them up anymore). I originally expected this curve to flatten over time, but there’ve been no plateaus or highs/lows whatsoever.

It’s gotten to a point where I can estimate, with a surprising level of accuracy, how many new words I’ll acquire in a given month or week, based on how much time I spend reading. Insane.

#2. There’s no such thing as a “plateau” in language learning.

There are no plateaus — except the one in your head (most likely), or unless you’re already fluent :)

The feeling of being “stuck” is an illusion. Go and read everyday for 30 days straight, and then tell me how stuck you feel. As long as you’re showing up to study everyday, you WILL progress. It’s just math.


Also, all this is from doing the bare minimum (since I founded a startup this year) — I read casually, rarely review what I’ve learned, and never try to memorize anything. I don’t refer to any structured courses or textbooks, and have found that once you move past the beginner stage, they’re more confusing than helpful.

Another interesting thing that happened is that my output (speaking and writing) is a lot more “natural,” and not artificial-sounding like my French, which I learned in school in the traditional classroom setting. I do make mistakes, but in terms of practical fluency, the difference between learning from real content vs textbooks is night and day.

Moreover, while I don’t have data for this, I also feel like textbook learning isn’t nearly as scalable as you can see in the graphs above.

My Japanese Learning Tools and Systems

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  1. LingQ (reading and listening) — paid
  2. Animelon (reading and listening; watching anime) — free
  3. DeepL (translation software 10x better than Google’s) — free
  4. Anki (flashcards for memorizing kanji: NihongoShark deck) — free / paid for mobile
  5. Nihongo-Pro.com (looking up kanji data) — free
  6. Jisho.org (looking up kanji data) — free
  7. Cure Dolly Youtube channel (for grammar fundamentals course) — free
  8. 10ten reader (browser extension; reading helper) — free
  9. Okaeri School Youtube channel (for intermediate & advanced grammar) — free
  10. JapanesePod101 Youtube (for beginner content) — free
  11. Random websites (to learn hiragana and katakana) — free

LingQ is the only tool I pay money for, and it’s worth every penny.

Time Spent

Note: I believe the language learning journey is divided into “gears.”

(Gear 1) — complete beginner

  1. JapanesePod101 — 70-80%
  2. Learn hiragana and katakana from random sites — 10-20%
  3. Learn kanji — 0-10%
  4. Watch content with English subs on Netflix etc — spare time

(Gear 2) — starting to get really confused beginner

  1. Cure Dolly, Okaeri School — 80-90%
  2. Hiragana & Katakana — 10-20%
  3. Kanji: 0-10%
  4. Watch content with English subs — spare time

(Gear 3) — motivated beginner

  1. LingQ (+ Animelon if you like anime) — (60-70%)
  2. Kanji — (20-30%)
  3. Cure Dolly, Okaeri School (for occasional reference) — (10-20%)

(Gear 4) — Momentum (my current level)

  1. LingQ + Animelon + Netflix (without English subs; use a dictionary) — (60-70%)
  2. Kanji — (30-40%)
  3. Speaking practice — (5%)

(Gear 5) — Cruising

  1. LingQ + Animelon + Netflix — (80-90%)
  2. Speaking practice — (10-15%)
  3. Kanji reviews — (5%)

Language Learning: Embrace the Low Gear

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When learning a language, your “car” has to start on Gear One.

There’s just no way around it.

The initial “ramp up” period takes the MOST effort from your brain — while also making the LEAST amount of progress in return.

(If you’re not uncomfortable within the first 30 days of acquiring a new language, you’re doing it wrong and wasting your time.)

Your brain has to get “warmed up” to the language and forge those new connections — it takes a while!

You’ll constantly stop and look up what stuff means (and promptly forget it 30 seconds later). You might feel like there’s too much to learn/memorize with no end in sight. Just understand that it’s part of the process.

IF YOU STAY CONSISTENT, then before you realize it, your brain will have switched to Gear Two.

A lot of sentence patterns and common vocab will have “sunk in,” so you’ll find yourself “gliding” through reading or listening material a bit more easily.

There will be fewer things to look up when you read or watch content, and also fewer stops to begin with.

The learning activities will start to feel PLEASURABLE. The car is actually moving!

Eventually, you’ll get to Gears Three, Four, and Five. And the drive feels nicer and smoother at every level.

But here’s the KEY IDEA of this post: you don’t have to be at Gear Five to enjoy a car drive.

In the past, I’ve often struggled with being “patient.” I didn’t understand how language acquisition really worked, and was hard on myself with the wrong metrics, such as my ability to remember what I had learned the other day.

Newsflash: You didn’t memorize or rote learn the language you speak right now, and you won’t do it for the language you’ll speak next.

Day-to-day, just focus on driving the car — “Do I understand what this particular sentence is trying to say?” If not, dissect until it makes some sense. Then simply move on to the next sentence.

Look at the windshield, not the rearview.

The right metric to focus on is *how consistently* you are engaging in language learning activities — more specifically, the ones that make you slightly uncomfortable (being overly comfortable will keep your engine — the “brain” from ever switching gears).

Trust me, if you just keep going from one sentence to the next, enough times — you will get faster.

By the time you arrive at Gear Five (if you even care to!), you’ll look in the rearview and be amazed at the distance you’d already have covered — all the interesting content you would have consumed, the conversations you would have had in your target language, and the delightful people you would have met along the journey.

So take it one day at a time. You’re not “struggling” — you’re just about to switch to the next gear.

Language learning — a bowl of vapor

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Every orange speck in this image is akin to a “word” or a small “piece” of the language. And it is just as light as air.

At first, you start with an empty bowl.

As you start learning, you start to grap some specks and place them at the bottom carefully. They are immediately usable, and part of your active vocabulary! You can say “hello” and “goodnight” or whatever.

As you begin to grab more specks — now by the handful — and throwing them at the bottom of the bowl, most of them bounce right back and keep floating above the bottom.

These “floating” specks are not a part of your active vocabulary yet.

Each time you “encounter” a word in your learning journey, you effectively “pat” its corresponding speck towards the bottom of the bowl. Eventually, it will stick.

You have to pat them multiple times, because they bounce back (i.e. you forget them too soon).

Since the goal is to increase the amount of the language that’s settled / stuck at the bottom of your bowl, you can do one of two things:

  1. Keep grabbing more and more specks and throwing them at the bottom, knowing that some of them will not stick — but by sheer brute force, each day, the sediment at the bottom does grow a little.
    This is the HIGH INPUT approach — read, read, and read new material. You don’t make an effort to remember anything, but as the common words keep reappearing, they settle down over time. It’s more enjoyable, but also has a long slog before you make “sudden” progress.
  2. Or, you can take the STUDIOUS approach — review, review, review every new word you learn until it firmly sticks at the bottom, before you go out learning new things. This is akin to picking up each speck individually and pressing it into the bottom of the bowl to make sure it sticks.

    This improves retention, but severely limits your speed of acquiring the language. You can never become fluent in this way.

In the end, your knowledge of the language will always look like this:

A solid amount is settled at the bottom in your active memory, but a significant part is “fuzzy” / sparse, and another big chunk of words is still in the air and you haven’t even encountered them yet!
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